Emanuelee “Outspoken” Bean is a poet and more. He is a poetic “producer of experiences,” as he calls it – from his artistry as a champion slam poet to his roles as festival producer, creator of Five-Minute Poems (in which he creates custom poems on-the-spot), collaborator with Houston Ballet, and mentor to the next generation of performance poets through his work as coach of the Meta-Four Houston Youth Poetry Slam Team.
Since April 2021, Outspoken Bean has served as Houston’s Fifth Poet Laureate, a cultural ambassador position that aims to foster appreciation of poetry and expression through words among Houston residents. The role was created by former Houston Mayor Annise Parker in 2013 and is coordinated by the Mayor’s Office of Cultural Affairs and Houston Public Library.
Houston has one of the longest-running poet laureate programs among the five largest cities in the U.S. (New York, Los Angeles, Chicago, Houston, and Phoenix). Chicago will inaugurate a Poet Laureate this year, while New York City does not have a Poet Laureate for the city as a whole – though four of its five boroughs have individual poet laureates, with the oldest program established in Brooklyn in 1979. Phoenix began appointing a Poet Laureate in 2016, and Los Angeles started its program in 2012.
Houston’s long-standing tradition of Poet Laureates, as well as Youth Poet Laureates, points to the city as a literary hub – supported by other enduring literary institutions, such as Inprint, now in its 42nd season of literary readings, and Nuestra Palabra: Latino Writers Having Their Say, which is celebrating its 25th anniversary.
As the City of Houston begins its search for the next Poet Laureate (to be announced in April 2023), Outspoken Bean culminates his two-year tenure with a community outreach project called Space City Story Tape, described in a press release as “a mixture of spoken word narratives of Houston residents set to music by [Houston composer-producer] Russell Guess.”
Bean’s Space City Story Tape will debut at an official Release Party on February 13 at Assembly HTX, free and open to the public.
In another form of community outreach, Bean will also produce the Woodson Black Fest on February 2 at the Contemporary Arts Museum Houston, in celebration of Black History Month. The free festival will showcase spoken word, film, music, fashion, and a panel discussion.
“This is the second year of the partnership between Outspoken Bean and CAMH that brings together different art disciplines for a social night of community connection,” said Michael Robinson, Marketing and Communications Manager at CAMH.
Woodson Black Fest takes its name from the “father of Black history,” historian, journalist, and scholar Carter G. Woodson (1875-1950) – who, among many groundbreaking advancements, created Negro History Week in February 1926, which inspired and evolved to Black History Month by 1970.
According to the article “How Negro History Week Became Black History Month and Why It Matters Now” by Veronica Chambers in the New York Times, “Dr. Woodson and his colleagues set an ambitious agenda for Negro History Week. They provided a K-12 teaching curriculum with photos, lesson plans and posters with important dates and biographical information … He and his colleagues also engaged the community at large with historical performances, banquets, lectures, breakfasts, beauty pageants and parades.”
Houston Arts Journal reached out to Outspoken Bean to learn more about his culminating projects as Houston Poet Laureate. The following interview has been minimally edited for length and clarity.
You’ve described the Woodson Black Fest as “a small festival about enlightenment, creativity, and innovation, which celebrates Black artists and artisans’ contributions.” Why did you think Houston needed a festival like this? How were you inspired to start it?
Houston needs a festival like this because there’s always an opportunity to showcase Black art and Black artists in their many forms. I feel that our intelligence and creativity should be broadcasted and amplified. I was inspired because the CAMH came to me with an amazing offer to build a festival, and I thought of my former creation, Plus Fest, and made it Black-focused.
The festival is named after American historian, author, journalist, and intellectual Carter G. Woodson. Can you say a little a bit about what he means to you?
Well, originally, I was going to call the festival Douglass Black Fest. And I was talking with my friend Candice D’Meza about the idea of the festival and where I wanted to go and whom I wanted it to honor. And I learned through that conversation from Candice that there is a misconception of Black History Month. What’s usually shared is February is Black History Month because Frederick Douglass’ and Abraham Lincoln’s birthdays are in February, and also that Frederick Douglass came up with the idea of Negro Week at the time. Which is not true. What’s true is that it was Woodson’s idea. And I think that there is a sense of sharing and informing and reminding that comes with this festival. Also, it gives an opportunity to spread Carter G. Woodson’s name and to give him proper credit for what we know as Black History Month.
What will be taking place at the festival on Feb. 2? I’m also curious what the panel discussion will be about.
We will have performance by Houston Poet Laureate Emeritus Deborah D.E.E.P. Mouton and a performance by me as the current Houston Poet Laureate. We will be showcasing Marlon Hall’s Visual Poems Series, entitled Folklore Films, through a video montage, and hearing him speak on his inspirations for his storytelling medium. And the panel discussion, which will be led by Danielle Fanfair, will conduct moving conversations with Black style icons who are the based here in Houston, Texas. The beauty of their fashion genius is that they get their works and inspirations out to the world, out to the public via social media, podcasting, pop-up events, what have you. So this panel discussion will give a lot of insight into Black, creative fashion forces.
The festival is also described as “a family reunion for Black artists” – can you say little bit about that idea of “family reunion” and why that matters? Is this something you want both the artists involved and the audience to feel?
Last year was the first year we had the Woodson Black Fest. And the goal was to make sure that the festival happened. There was no theme for the festival. So this year I wanted to have a theme that is steeped in Black American culture. And that will be changing from year to year, so this year the themes is Black Family Reunion, hence why the family tree, the style of font, and muted color palette. And just like a family union, we want everyone to come and have a good time.
Another project you have as you wrap up your term as Houston Poet Laureate is the Space City Story Tape. Back in 2021, you described the project to me as “a community spoken word album,” which would feature stories collected from everyday Houstonians – kind of like “mini-memoirs” set to music. Can you describe how the project turned out?
Yes! The Space City Story Tape is complete. February 13 at Assembly HTX at 6 PM, I will be hosting a mixtape release party in celebration of my city-sponsored Poet Laureate project. Russell Guess and I have been working relentlessly in the studio producing, mixing, writing poems, and listening to the stories to bring Houstonians in a unique audio experience.
I couldn’t use all of the stories because I got so many, but a story that is on the project that I am moved by is about the Black Panther Party in Third Ward and how it has shaped the Third Ward today.
What will take place at the Release Party? How can people access the Tape?
Everyone who comes will scan the QR code so they can download the album or listen to it on any streaming device that they choose. Then there will be refreshments and a performance by me and a talkback with myself and Russell Guess. It’s going to be a good time. I invite you all to come. The Tape will be available on Spotify, Apple Music, YouTube music, Youtube, etc. It will be available everywhere.
What did you learn from being Houston Poet Laureate? What would you like to say about your experience?
The amount of people, who take up the well-deserved space that they take in Space City, is really miraculous. I also got a chance to hear so many stories through the Houston Public Library and MOCA (Mayor’s Office of Cultural Affairs) when it came to getting prepared for this project and learning about what this role could be, and can be, and how to improve it for the next Poet Laureate.